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Jacques CallotLa distribution des récompenses - Etching by Jacques Callot - 16331633
1633
About the Item
Signed on plate “Callot fecit, Frad excudit” lower right. Very good condition except some light discoloration. Wonderful artist proof, on antique laid paper. Second state of three, dated 1633, numbered on plate -lower right on margin. Il is the 18th and last etching from the Callot’s series “Les Grandes Misères et Malheurs de la Guerre”, showing the brutality of soldiers towards citizens, and especially farmers. This is the key-artwork to understand the whole series: the prince distributes the rewards only to general and noble people.
Including passepartout : 40 x 60 cm
Jacques Callot (Nancy, 1592 – 1635) is one of the most original engraver of the French 600, remembered because of his meticulous and little figuration.
This artwork is shipped from Italy. Under existing legislation, any artwork in Italy created over 70 years ago by an artist who has died requires a licence for export regardless of the work’s market price. The shipping may require additional handling days to require the licence according to the final destination of the artwork.
- Creator:Jacques Callot (1592 - 1635, French)
- Creation Year:1633
- Dimensions:Height: 3.55 in (9 cm)Width: 7.68 in (19.5 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:1630-1639
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:
Jacques Callot
Jacques Callot, at the age of 12 years old, he runs away in Italy with gypsies. Callot returned for the third time to Italy together with an embassy of Duke Henry II to the Holy See. In 1611, Callot entered the workshop of Tempesta, a famous Italian engraver, for three years. In 1614 Callot left Rome for Florence in the service of Cosimo II de Medici. Callot produced drawings and etchings that drew influence from Flemish art and Mannerist works in Roman churches. Callot’s career began in Florence in 1612 when he started work in the Medici court, where he was employed to make pictorial records of entertainments such as fairs and festivals and where he also drew and etched courtiers, beggars and other characters, excelling particularly at caricatures. Returning to his native France in the latter end of his career, Callot’s work became markedly soberer as he documented the horrors of the 30 years of war in his Miseries of War series, which would continue to influence the artistic representation of conflict social injustice into the 19th and 20th Centuries.
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- ShippingRetrieving quote...Ships From: Rome, Italy
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